In his ‘space poetry’ series, Jesper Fabricius spins a verbal transcript in reaction to socio-political concepts that drive the production of art in response to market trends, governmental corruption and other interconnected phenomena. These statements are juxtaposed by images of genitalia, fornication and/or fabric swaths; each statement and its image feel connected in the critical reading of both, but only after the participating reader negotiates away from their primary analysis of every piece of content.
In Kunsthaefte 31, Fabricius continues to pair academically-voiced societal deconstruction theories with their visual compliment within the realm of abstracted, pornographic imagery. As this zine develops, poetic decisions can be enjoyed in both the textual and visual components; Fabricius often places similarly-lit or composed photographs next to each other, creating a focal point that provides local shadow or humor to the text on each page.