Time lapse video on USB flash drive. Signed and numbered certificate of authenticity. Includes livestream access from 6/9/2020 to 7/3/2020. This work was conceived with the artist as a fundraising edition, 100% of the profits will be donated to COVID Bail Out NYC,
This time lapse video will be recorded on a Hi8 video, a testimonial to the period in the artist’s life that this installation references—it was during her childhood in the 90s that Franklin was first diagnosed and started her different treatments. With its distinct lo-fi graininess, Hi8 videos have come to represent the essence of family portraits and home videos captured in that period. Here, the mode of documentation functions as a bridge between the different temporal aspects of the installation: the artist’s experiences as a child, the 30 day decomposition of Limeflower Heterodoxy, and its immortalization on film.
Limeflower Heterodoxy is a new video work by artist Sharona Franklin featuring the slow decomposition of one of her signature gelatin sculptures. With this work, Franklin takes the viewer into an exploration of healing methodologies, contrasting the different approaches of psychedelic and plant based medicine intertwined within the pharmaco-industrial complex. The work centers the experiences of childhood rural illness, contrasted with the alien and often dehumanizing experiences of cytotoxic and pharmaceutical systems. Characteristic of her practice, her molded gelatin works contain organic matter—flowers, leaves, fruit—and other elements representing nature. In many of Franklin’s works, the pieces of plant matter coexist in a bionic nature beside remnants of biopharmaceutical treatments such as glass syringes and metal hardware. Referred to by the artist as bioshrines, the sculptures embody tensions and contradictions held for those whose treatments include both natural medicine and—sometimes ethically controversial—biopharmaceutical care. Limeflower Heterodoxy is a reference to the medicinal benefits of the flower. A well-known natural antidepressant, the limeflower has sedative and relaxing qualities and is also commonly used against the flu. Below the jellies, tendrils hang from the armature of the metal, paper mache sculpture, memorializing the lab mice used to test pharmaceutical treatments. The gelatin sculpture will bring together these disparate modes of treatment and medical care by literally embodying both natural limeflowers and elements of the artist’s own medicine, creating its own heterodox position.
Decomposition is an integral part of Franklin’s process, as she invites visitors to come back and revisit her sculptures over the course of an exhibition, see their transformation in space, as time and organic matter collide. For the first time, the artist will record this transformation, creating two time lapse videos over the period of 30 days. The videos function as a unique immortalization of the transitory, as these decompositions have until now always been ephemeral, bound to time and space.
The installation is hosted at grunt gallery in Vancouver and produced with the support of VIVO Media Arts Centre.
The livestream will be available starting 6/5/2020. You must have a Printed Matter username and password in order to access this edition.
Please Note: This is a digital rendering and the actual work may vary. The work will be available after the duration of the installation and ready to ship by the end of July.
Sharona Franklin b. 1987 is a Canadian multidisciplinary artist, writer and advocate.
Her work explores radical therapies, cybernetic craft, ecological systems, bio-ritualism, pharmacological and social inter-dependency disseminating mythologies of class and biocitizenship within disability. Franklin’s visual media practice can be viewed through social media platforms @paid.technologies, @star_seeded and @hot.crip. Through ontological study and utilizing natural, salvaged, biodegradable, edible, print media and digital mediums, her psychedelic works invite the viewer into facets of biopharmaceutical investigations and educational community practice.
Recent exhibitions include Kings Leap, NYC, Unit 17, Vancouver, Canada, G44 Center for Contemporary Photography, Toronto, Canada, New Image Art Gallery Los Angeles, CA, and Flux Factory, New York, NY. Recent publications include Injustice in Biopharm, 2019, Cassandra Press and Rental Bod, 2016, Peace Library Publications