This book explores and documents the phenomenon by which graffiti writers spend their nights studying how to sneak into the rail yards, get around cameras, sensors, fences, guards, police and reach the wagons turning their lives in a kind of video game.
As a game, Subterrneans has two players, two points of view, facing one another as adversaries.
On the one hand, the action of infiltrating the underground to paint, to which Enrique Escandell is witness with his camera, and on the other, the photographs taken by the police belonging to various trials and investigations against graffiti writers. Two forms of representation that complement each other to give a complete view of the phenomenon.
Choose your player.