Launched on the occasion of Art Basel 2017, this fundraising edition was realized as a giclee print with two-color silkscreen overlays, produced as part of the Eric Timothy Carlson’s ongoing ‘NYPLPC’ series in which he accumulates and sequences found imagery sourced from the New York Public Library Picture Collection.
NYPLPC Epitome 2. I’m Hominini I’m L’Orange, is constructed in a similar way. The print features a color slide transparency of Lucy (Australopithecus), which is laid across an image of Pierrot the clown–dressed in a clergy-style white robe. Carlson seems to suggest again that culture is a transmission reaching back through all of human-scale time, and that it is one in a perpetual cycle of ruin and renewal. As Will Luckman writes of the series: “We interpret and synthesize the intentional and unintentional messages our ancestors have imperfectly advanced, guided by the contemporary culture in which we are immersed. Where historians fail, or when civilization falters, artists and shamans will pick up the thread.”
This print was conceived as one half of a diptych. The other half, NYPLPC Epitome 1 : Chimera Barricade Sabot is available for purchase here and the diptych is available for purchase here. Placed side by side, the geometric screenprinted elements connect them into a single narrative work, in which two prevalent facets of the ‘NYPLPC’ project play off each other and create a new direction for meaning.
Giclee on hot press bright paper 330 gsm with two color silk screen print overlays. Prints are also available for purchase separately.