Each issue of the experimental Danish art magazine Pist Protta employs an original layout design and conceptual premise. For issues 65 through 70, the editors have decided to “pretend to be a normal Danish art magazine,” which may be the strangest strategy to date. With text almost exclusively in Danish, Issue 65 features a letterprint linocut by Søren Andreasen and contributions from Marianne Jørgensen, Vanitas Danmark, Hans Gram, Erik Steffensen, Gitte Broeng, Christian Schmidt-Rasmussen, Jacob Lillemose, Janus Kodal, Jakob Jakobsen, and Ferdinand Ahm Krag.